JUSTIN AVERSANO — CAROLINUM MUSEUM
GENERATIVE FABRICS
Client: TRAME / Justin Aversano
Location: Linz, Austria
Year: 2024 / 2025
Role: Generative fabric and furniture design & development; Ethereum minting via the Artblocks Engine.
Fabrication support: Enrico Girotti
READ ARTICLE →Location: Linz, Austria
Year: 2024 / 2025
Role: Generative fabric and furniture design & development; Ethereum minting via the Artblocks Engine.
Fabrication support: Enrico Girotti
Project
“INTRO-SPECTIVE” is Justin Aversano’s major solo exhibition at the Francisco Carolinum Linz, featuring over 600 works across photography, mixed media, and NFTs.
I collaborated with TRAME to create a series of custom generative furniture pieces that integrate algorithmic patterns into the physical exhibition design.
Role
Creative Technologist — Generative Art & Digital/Physical Integration
Developed generative patterns based on on-chain timestamp data from Aversano’s early worksTranslated real-world parameters (time, temperature, pressure) into visual algorithms
Delivered production-ready generative assets for fabrication in collaboration with industrial designer Enrico Girotti (La Piega).
Collaborated with TRAME’s design team to ensure digital–physical coherence with the exhibition’s narrative
Outcome
The generative pieces—comprising a Chesterfield sofa, two carpets, and bench cushions—were integrated into the museum’s scenography, forming a link between Aversano’s digital and physical practice and enhancing the immersive, data-driven installation.
“INTRO-SPECTIVE” is Justin Aversano’s major solo exhibition at the Francisco Carolinum Linz, featuring over 600 works across photography, mixed media, and NFTs.
I collaborated with TRAME to create a series of custom generative furniture pieces that integrate algorithmic patterns into the physical exhibition design.
Role
Creative Technologist — Generative Art & Digital/Physical Integration
Developed generative patterns based on on-chain timestamp data from Aversano’s early worksTranslated real-world parameters (time, temperature, pressure) into visual algorithms
Delivered production-ready generative assets for fabrication in collaboration with industrial designer Enrico Girotti (La Piega).
Collaborated with TRAME’s design team to ensure digital–physical coherence with the exhibition’s narrative
Outcome
The generative pieces—comprising a Chesterfield sofa, two carpets, and bench cushions—were integrated into the museum’s scenography, forming a link between Aversano’s digital and physical practice and enhancing the immersive, data-driven installation.
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